Ger\u00e7ekleri g\u00f6stermek, ger\u00e7e\u011fe kavu\u015fmak ve ger\u00e7e\u011fi oldu\u011fu gibi insanlara anlatmak i\u00e7in \u00e7al\u0131\u015fm\u0131\u015f bir sanat\u00e7\u0131y\u0131m. Cahilden uzak, k\u00e2mile yak\u0131n oldum, b\u00fcy\u00fcklerime sayg\u0131 ile, k\u00fc\u00e7\u00fcklerime sevgi ile yakla\u015ft\u0131m, konu\u015fulan her kel\u00e2m\u0131 ibadet gibi dinledim, kimseyi acizlik ve bilgisizlikle itham etmedim, elini bana bir uzatana, iki defa uzatt\u0131m. Kendi noksanlar\u0131m\u0131, ariflerin g\u00fczel s\u00f6z ve davran\u0131\u015flar\u0131yla tamamlamaya \u00e7al\u0131\u015ft\u0131m.<\/p><\/blockquote>\n
<\/p>\n
Ger\u00e7e\u011fe \u201ch\u00fb\u201d \u00e7eken dervi\u015flerin ard\u0131llar\u0131 olan Alevi ozanlar\u0131 a\u011f\u0131r a\u011f\u0131r elini ete\u011fini \u00e7ekiyor d\u00fcnyadan. Gidenin yerinde kocaman bir bo\u015fluk kal\u0131yor. Bu g\u00f6n\u00fcl dergah\u0131, g\u00fcn ge\u00e7tik\u00e7e \u0131ss\u0131zla\u015fmakta, yaz\u0131l\u0131, g\u00f6rsel ve i\u015fitsel tarihe h\u00fcz\u00fcnl\u00fc bir materyal olarak kalmaktad\u0131r. Denilebilir ki en az\u0131ndan kay\u0131t alt\u0131na al\u0131narak g\u00f6\u00e7\u00fclm\u00fc\u015ft\u00fcr hayattan. Elbette \u00f6yledir. Ama \u201cHerkes dosta yazm\u0131\u015f arzu halin S\u00fcmmani\u2019yi r\u00fczg\u00e2ra yazm\u0131\u015flar\u201d da ya\u015fad\u0131 bu g\u00f6\u011f\u00fcn alt\u0131nda. R\u00fczg\u00e2ra yaz\u0131l\u0131p zamana ince bir serinlik olarak kalanlar oldu yani. Do\u011frudur, \u2018s\u00f6z u\u00e7mu\u015f, yaz\u0131 da kalm\u0131\u015ft\u0131r.\u2019 L\u00e2kin teknolojinin doyuma ula\u015ft\u0131\u011f\u0131 y\u00fczy\u0131l\u0131m\u0131zda, ger\u00e7e\u011fe ve sadece ger\u00e7e\u011fe riayet edenlerin h\u0131rkas\u0131n\u0131 ve asas\u0131n\u0131 da yerde koymamak gerek.<\/p>\n
H\u0131rkas\u0131 eserleri, asas\u0131 saz\u0131 olan bir dervi\u015f de Ali Ekber \u00c7i\u00e7ek\u2019ti. O g\u00f6n\u00fcl \u015fehrinde gezen bir gezgin olarak tarihteki yerini alal\u0131 \u00e7ok oldu.<\/p>\n
\u0130nsan i\u00e7in ya\u015fam bir d\u00fc\u015ft\u00fcr ya, Ozan\u0131n \u2018pervanelikte on d\u00f6rt bin y\u0131l gezmesi\u2019 ve \u2018adem s\u0131fat\u0131nda gelip gitmesi\u2019 bundan olmal\u0131. \u201cCehennemde ate\u015f olmaz, nar yoktur \/ Herkes ate\u015fini al\u0131r g\u00f6t\u00fcr\u00fcr\u201d derken, ya\u015fad\u0131\u011f\u0131m\u0131z zamana ve bu zaman\u0131n ger\u00e7ekli\u011fine i\u015faret eder; di\u011fer Enel Hak\u00e7\u0131 ermi\u015fler gibi.<\/p>\n
Ali Ekber \u00c7i\u00e7ek, 1935 y\u0131l\u0131nda Erzincan merkeze ba\u011fl\u0131 Ulular k\u00f6y\u00fcnde, dar gelirli bir \u00e7ift\u00e7i ailesinin d\u00f6rt \u00e7ocu\u011fundan biri olarak d\u00fcnyaya gelir. Babas\u0131 Ali, 1939 y\u0131l\u0131nda Erzincan Depremi\u2019nde vefat edince, aile, ekonomik s\u0131k\u0131nt\u0131 \u00e7eker, k\u00f6t\u00fc g\u00fcnler ge\u00e7irir. Ali Ekber, annesi Hafize ve karde\u015fleriyle birlikte ren\u00e7berlik yapar. Ren\u00e7berlik de babas\u0131zl\u0131k kadar zordur. Per peri\u015fan bir \u00e7ocukluk, kap\u0131s\u0131nda beklemektedir Ali Ekber\u2019in. K\u00fc\u00e7\u00fck ya\u015fta ba\u011flama \u00e7almaya ba\u015flar. Y\u00fcre\u011fi yan\u0131kt\u0131r. Tellerde arar murad\u0131n\u0131. Di\u011fer iki karde\u015fi de ondan etkilenir ve onlar da ba\u011flama \u00e7almaya ba\u015flarlar. Ozan son r\u00f6portaj\u0131nda, gazeteci Ersin Kalkan\u2019\u0131n \u201cilk saz \u00e7al\u0131\u015f\u0131n\u0131z\u0131 hat\u0131rl\u0131yor musunuz?\u201d sorusuna, biraz da sitem ederek: \u201cNeden hat\u0131rlamayay\u0131m ki, ben adam de\u011fil miyim?\u201d der ve \u015f\u00f6yle devam eder; \u201cilk saz\u0131 elime bir cemde teslim ettiler, be\u015f ya\u015f\u0131ndayd\u0131m. Dedeler, bu eli perdelere tam ula\u015famayan \u00e7ocukta bir \u015feyler oldu\u011funu hemen anlad\u0131lar. O zaman\u0131n \u00fcnl\u00fc pirlerinden Potik \u0130smail ve Ey\u00fcp Dede bana \u00e7ok yard\u0131mc\u0131 oldular, usulleri \u00f6\u011frettiler.\u201d Pirlerin nasihat ve deyi\u015flerini b\u00fcy\u00fck bir dikkatle dinler. Onlardan A\u015f\u0131kl\u0131\u011f\u0131n yolunu, yordam\u0131n\u0131 \u00f6\u011frenir. Nitekim profesyonel m\u00fczik ya\u015fam\u0131nda, saza g\u00f6n\u00fcl verdiren o pirleri hep sayg\u0131yla yad eder.<\/p>\n
Gurbet Elde Bir Hal Geldi Ba\u015f\u0131ma<\/em><\/strong><\/p>\n
\u0130lk okulu Erzincan\u2019da okuyan Ali Ekber, ba\u015far\u0131l\u0131 bir \u00f6\u011frenci olmas\u0131na ra\u011fmen, ya\u015fam ko\u015fullar\u0131n\u0131n elveri\u015fsizli\u011fi nedeniyle \u00f6\u011frenimini devam ettiremez. Bu arada sazla olan a\u015fk\u0131 her ge\u00e7en g\u00fcn biraz daha katmerle\u015fmektedir. Art\u0131k kab\u0131na s\u0131\u011famaz, sesini ve saz\u0131n\u0131 ba\u015fka diyarlarda, ba\u015fka insanlara duyurmak ister. Erzincan\u2019dan ayr\u0131l\u0131r ve \u0130stanbul\u2019a yerle\u015fir. Fakat felek, Erzincan depremi gibi pe\u015fini b\u0131rakmaz. \u0130stanbul\u2019un ta\u015f\u0131 topra\u011f\u0131 alt\u0131n de\u011fildir. B\u00fcy\u00fck \u015fehirdir, yutar adam\u0131.<\/p>\n
O g\u00fcnleri, y\u0131llar sonra \u015f\u00f6yle hat\u0131rlayacakt\u0131r: \u201c\u0130stanbul\u2019a geldim. Akrabalar\u0131m vard\u0131 ama \u00f6nce onlar\u0131 bulamad\u0131m. Sonra bir i\u015f han\u0131na s\u0131\u011f\u0131n\u0131p \u00e7al\u0131\u015fmaya koyuldum. Mevsimlerden yazd\u0131, bir kerevetin \u00fcst\u00fcnde sabahl\u0131yordum. Her gece Allah\u2019a \u2018Bu gece \u00fcst\u00fcme yorgan \u00f6rtecek misin?\u2019 diye sorard\u0131m.\u201d<\/p>\n
K\u0131sa bir s\u00fcre sonra, \u00fcst\u00fcne hem yorgan \u00f6rter ve hem de T\u00fcrk sanat m\u00fczi\u011finin me\u015fhur seslerinden hala k\u0131z\u0131 Saime Senan yard\u0131m\u0131yla sanat \u00e7evrelerine girmeye ba\u015flar.<\/p>\n
\u00c7ocuklu\u011funda, hayal bile edemeyece\u011fi ili\u015fkiler yakalar. Yolu, yola\u011f\u0131 art\u0131k a\u00e7\u0131lmaktad\u0131r. \u2018\u2018Gurbet elde bir hal geldi ba\u015f\u0131ma\u2019\u2019 t\u00fcrk\u00fcs\u00fcndeki k\u00f6t\u00fc hal, art\u0131k iyilik ve g\u00fczellik haline d\u00f6nmektedir. O art\u0131k sanat \u00e7evrelerinde tan\u0131nan bir simad\u0131r. Neyzen Tevfik, Necati Ba\u015faran, Sadi Yaver Ataman, Davut Sular\u00ee, Malatyal\u0131 S\u00fcleyman Elver, A\u015f\u0131k Beyh\u00e2n\u00ee gibi bir \u00e7ok de\u011ferli insanla g\u00f6r\u00fc\u015f\u00fcp, kar\u015f\u0131l\u0131kl\u0131 bilgi \/ k\u00fclt\u00fcr al\u0131\u015f veri\u015finde bulunur.<\/p>\n
Sanat\u00e7\u0131, tan\u0131\u015ft\u0131\u011f\u0131 bu de\u011ferli ki\u015filerin de te\u015fvikiyle, 1949 y\u0131l\u0131nda Ankara Radyosu\u2019na gider ve orada da d\u00f6nemin b\u00fcy\u00fck hocas\u0131 Muzaffer Sar\u0131s\u00f6zen\u2019le tan\u0131\u015f\u0131r. Bu tan\u0131\u015f\u0131kl\u0131k sonras\u0131, Sar\u0131s\u00f6zen\u2019in iste\u011fi \u00fczerine devlet konservatuar\u0131na gider. Orada, Pir Sultan Abdal\u2019dan al\u0131nan \u201cBenden Sel\u00e2m S\u00f6yle O G\u00fczel \u015eah\u2019a\u201d isimli deyi\u015fi okur. Deyi\u015f \u00e7ok be\u011fenilir. B\u00f6ylece ilk kez radyo arac\u0131l\u0131\u011f\u0131yla b\u00fct\u00fcn T\u00fcrkiye\u2019ye t\u00fcrk\u00fc s\u00f6yler.<\/p>\n
Art\u0131k Alevi semahlar\u0131n\u0131 ilk olarak radyodan okuyan ozan unvan\u0131n\u0131 ve \u2018\u015ferefini\u2019 ta\u015f\u0131maktad\u0131r. O, deyi\u015fleri b\u00fcy\u00fck bir cesaretle T\u00fcrkiye\u2019ye dinletip, sevdirmenin erdemini ta\u015f\u0131r. Muzaffer Sar\u0131s\u00f6zen\u2019in \u00f6zel ilgisi ve \u00e7abas\u0131 sonucu ger\u00e7ekle\u015fen bu durumu, y\u0131llar sonra \u015f\u00f6yle anlatacakt\u0131r: \u201cSar\u0131s\u00f6zen uzun zamand\u0131r Alevi deyi\u015flerini radyoda \u00e7almak i\u00e7in bir yol ar\u0131yormu\u015f. Hatta o d\u00f6nemde (1949), Hac\u0131 Ta\u015fan \u00e7ok \u00fcnl\u00fcyd\u00fc. Sar\u0131s\u00f6zen\u2019e demi\u015f ki: \u2018Ben de Aleviyim. Bu deyi\u015fleri bana niye okutmuyorsun?\u2019 Sar\u0131s\u00f6zen, \u2018\u0130\u015fte sorun da burada. Senin Alevi oldu\u011fun biliniyor. Bu \u00e7ocuk da Alevi ama hen\u00fcz 12 ya\u015f\u0131nda. Sana s\u00f6yletsem \u2018Alevi-S\u00fcnni ayr\u0131m\u0131 yap\u0131yorsun\u2019 diyecekler. Ama Ali Ekber i\u00e7in onlara \u2018Bak\u0131n ben 38 ya\u015f\u0131ndaki Hac\u0131 Ta\u015fan\u2019a bozlak okutuyorum. Ama bu \u00e7ocuk k\u00f6y\u00fcnde ne duyduysa onu \u00f6\u011frenmi\u015f. Biz de ona \u00e7ald\u0131r\u0131yoruz\u2019 diyece\u011fim\u201d demi\u015f.<\/p>\n
Profesyonel Sanat Ya\u015fam\u0131 Ba\u015fl\u0131yor<\/em><\/strong><\/p>\n
Ali Ekber \u00c7i\u00e7ek, profesyonel sanat ya\u015fam\u0131na askerlikten sonra ba\u015flar ve radyoda 35 y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcre \u00e7al\u0131\u015f\u0131r. Bu s\u00fcre zarf\u0131nda halk m\u00fczi\u011fine \u00f6nemli mesafeler ald\u0131ran, toplam 400 \u00e7al\u0131\u015fmaya imza atar. Halen TRT repertuvar\u0131nda 54 ar\u015fiv kaseti mevcut. TRT ar\u015fivlerinde en \u00e7ok eseri olan sanat\u00e7\u0131lardan biri. Bu eserlerden baz\u0131lar\u0131 \u015funlar: \u201cOn d\u00f6rt bin Y\u0131l Ge\u00e7tim (Haydar Haydar)\u201d, \u201cG\u00f6n\u00fcl Gel Seninle Muhabbet Edelim\u201d, \u201cB\u00f6yle \u0130krar \u0130len B\u00f6yle Yolunan\u201d, \u201cBunca Olan Eme\u011fimi\u201d, \u201cG\u00fcl Y\u00fczl\u00fc Sevdi\u011fim Nemden \u0130ncindin\u201d, \u201cDerdim \u00c7oktur Hangisine Yanay\u0131m\u201d, \u201cGurbet Elde Bir Hal Geldi Ba\u015f\u0131ma\u201d. Ayr\u0131ca sanat\u00e7\u0131n\u0131n, \u00e7o\u011fu bug\u00fcn elimizde olmayan 84 adet ta\u015f pla\u011f\u0131 var.<\/p>\n
Tek Ki\u015filik Orkestra<\/em><\/strong><\/p>\n
Ali Ekber \u00c7i\u00e7ek, \u00e7al\u0131p s\u00f6yleme sanat\u0131 a\u00e7\u0131s\u0131ndan, ku\u015fkusuz halk ozanlar\u0131 aras\u0131nda \u00f6zg\u00fcn bir yere sahiptir. \u00c7o\u011fu halk ozan\u0131, y\u00f6resel \u00e7al\u0131\u015f ve okuyu\u015f tarz\u0131n\u0131 iyi derecede icra edip, genele ait m\u00fczikal formlar\u0131 kullanamazken, O, bu gelene\u011fin bir ba\u015fka boyutunda yer almay\u0131 ba\u015farm\u0131\u015ft\u0131r.<\/p>\n
Irene Markoff, ozan\u0131n i\u00e7in \u201cAli Ekber \u00c7i\u00e7ek, T\u00fcrkiye\u2019nin en iyi saz sanat\u00e7\u0131s\u0131d\u0131r\u201d der. Haks\u0131z da de\u011fil. Kulland\u0131\u011f\u0131 m\u0131zrap tekni\u011fiyle ard\u0131llar\u0131na \u00f6nc\u00fcl\u00fck etmi\u015ftir. \u201cHaydar Haydar\u201d\u0131 hi\u00e7 ku\u015fkusuz tek ki\u015filik senfoni bestesi olarak tan\u0131mlayabiliriz. Bir g\u00f6r\u00fc\u015fmede \u015f\u00f6yle bir an\u0131s\u0131n\u0131 anlatm\u0131\u015ft\u0131 bana: \u201cKanada\u2019da verdi\u011fim bir konserden sonra, bir m\u00fczik profes\u00f6r\u00fc yan\u0131ma gelip saz\u0131m\u0131 incelemi\u015f ve hayretle \u2018bizim bir koca orkestrayla \u00e7\u0131kard\u0131\u011f\u0131m\u0131z b\u00fct\u00fcn o sesler, sadece bu enstr\u00fcmandan m\u0131 \u00e7\u0131kt\u0131\u2019 diyerek hayretini gizlememi\u015fti.\u201d<\/p>\n
Ozan kendi sanat ya\u015fant\u0131s\u0131n\u0131 ve sanatsal duru\u015funu \u015f\u00f6yle c\u00fcmlele\u015ftiriyor: \u201cBen, Ali Ekber \u00c7i\u00e7ek olarak okudu\u011fum b\u00fct\u00fcn ezgilerde, g\u00f6n\u00fcl \u015fehrinde b\u00fct\u00fcn k\u00e2inat\u0131n yekv\u00fccut olmas\u0131n\u0131, din, dil, \u0131rk, mezhep ve inan\u00e7 fark\u0131 g\u00f6zetmeksizin, y\u00fcce kitab\u0131m\u0131z Kuran-\u0131 Kerim\u2019de belirtilen \u2018yarat\u0131lm\u0131\u015flar\u0131n en m\u00fckemmeli\u2019 olan insan\u0131 tan\u0131may\u0131, sevmeyi, ona hizmet etmeyi g\u00e2ye edinmi\u015f, hi\u00e7bir kimseyi a\u015fa\u011f\u0131 g\u00f6r\u00fcc\u00fc, tan edici ve ayr\u0131c\u0131 de\u011fil, aksine her insan\u0131 seven ve onlara birlik ve beraberli\u011fi \u00f6\u011f\u00fctleyen bir tutum ve davran\u0131\u015f i\u00e7inde bulunmu\u015fumdur. Ger\u00e7ekleri g\u00f6stermek, ger\u00e7e\u011fe kavu\u015fmak ve ger\u00e7e\u011fi oldu\u011fu gibi insanlara anlatmak i\u00e7in \u00e7al\u0131\u015fm\u0131\u015f bir sanat\u00e7\u0131y\u0131m. Cahilden uzak, k\u00e2mile yak\u0131n oldum, b\u00fcy\u00fcklerime sayg\u0131 ile, k\u00fc\u00e7\u00fcklerime sevgi ile yakla\u015ft\u0131m, konu\u015fulan her kel\u00e2m\u0131 ibadet gibi dinledim, kimseyi acizlik ve bilgisizlikle itham etmedim, elini bana bir uzatana, iki defa uzatt\u0131m. Kendi noksanlar\u0131m\u0131, ariflerin g\u00fczel s\u00f6z ve davran\u0131\u015flar\u0131yla tamamlamaya \u00e7al\u0131\u015ft\u0131m. Velhas\u0131l toplumumuza verilecek en g\u00fczel hizmeti yapt\u0131\u011f\u0131m kan\u0131s\u0131nday\u0131m. Bug\u00fcne kadar asla b\u00f6lgecilik, b\u00f6l\u00fcc\u00fcl\u00fck, doktrincilik ve safsatalarla u\u011fra\u015fmad\u0131m. Bir Alevi \u00e7ocu\u011fu olarak, toplumda yanl\u0131\u015f anlamalara sebep olan, birli\u011fi ve b\u00fct\u00fcnl\u00fc\u011f\u00fc bozan inkarc\u0131 ve \u00e7\u0131karc\u0131lar gibi de\u011fil, ger\u00e7ek felsefemizi anlatmaya \u00e7al\u0131\u015ft\u0131m. Bu icra-icraat\u0131m boyunca hi\u00e7bir maddi menfaat sa\u011flamadan, insanlar\u0131n duygular\u0131n\u0131 s\u00f6m\u00fcrmek gibi bir yanl\u0131\u015fl\u0131\u011fa meydan vermedim. Bug\u00fcne kadar b\u00fct\u00fcn kutsal kitaplara, inan\u00e7lara sayg\u0131l\u0131 olarak, d\u00f6rt kap\u0131y\u0131 ve k\u0131rk makam\u0131 anlatmaya \u00e7al\u0131\u015ft\u0131m. \u0130kili\u011fi de\u011fil birli\u011fi prensip edinen felsefemizin \u00f6z\u00fcn\u00fc dile getirmeye \u00e7al\u0131\u015ft\u0131m.\u201d<\/p>\n
Ozan yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalarda orjine \u00e7ok \u00f6nem verdi\u011fini alt\u0131n\u0131 \u00e7izerek belirtme ihtiyac\u0131 duyar. \u00c7\u00fcnk\u00fc derleme sanat\u0131n\u0131n olmazsa olmaz kurallar\u0131ndan biri olan orjine ba\u011fl\u0131 kalma tavr\u0131, sanat\u00e7\u0131 i\u00e7in can al\u0131c\u0131d\u0131r. Bu durumun fark\u0131ndal\u0131\u011f\u0131yla, derledi\u011fi eserlerde, orjinal yap\u0131ya zarar verecek a\u00e7\u0131l\u0131mlardan uzak durup, teknik (\u00f6rne\u011fin, ton de\u011fi\u015fimleri gibi) bilgisini ve yetene\u011fini kullan\u0131p \u00f6l\u00fcms\u00fcz eserlere imza atar. Bu anlamda \u201cHaydar Haydar\u201d isimli \u00e7al\u0131\u015fmas\u0131, sanat hayat\u0131nda duru\u015funu anlamak i\u00e7in verilecek en b\u00fcy\u00fck \u00f6rnektir. Ozan hem derleme ve hem de pop\u00fclerle\u015fen halk m\u00fczi\u011fi i\u00e7in kayg\u0131lanmaktad\u0131r. \u015e\u00f6yle \u00f6zetliyor fikirlerini: \u201cT\u00fcrk Halk M\u00fczi\u011fi tekrar pop\u00fcler oldu. Ancak ben bu geli\u015fmeyi haz\u0131rc\u0131l\u0131\u011fa ba\u011fl\u0131yorum. \u015eimdi \u015f\u00f6hret olmu\u015f ki\u015filer benim 40 – 50 y\u0131l \u00f6nce yazd\u0131\u011f\u0131m par\u00e7alardaki ezgilerin \u00fczerine g\u00fcfte yap\u0131p s\u00f6yl\u00fcyorlar. Bir de bu okudu\u011fum par\u00e7alarda leyle\u011fi ku\u015fa \u00e7evirerek okuyorlar. Ali Ekber \u00c7i\u00e7ek nas\u0131l \u00e7al\u0131p okuyorsa gen\u00e7ler ve ondan sonra gelenlerin de \u00f6yle okumas\u0131 gerekiyor. Bu tavr\u0131 yakalamalar\u0131 gerekiyor. Par\u00e7alar\u0131mdaki yorum zaten i\u00e7inde vard\u0131r. Tekrardan o par\u00e7alara yorum eklemeye gerek yok. Haz\u0131rc\u0131l\u0131\u011fa al\u0131\u015fm\u0131\u015flar. Ben gen\u00e7lere \u00e7ok de\u011ferli bir miras b\u0131rakt\u0131m. O eser asla asl\u0131n\u0131 ink\u00e2r etmemeli. Yorum \u00fczerine yorum kat\u0131lmamal\u0131. Her \u015fey asl\u0131na ba\u011fl\u0131 olarak tabiat\u0131yla birlikte ya\u015fat\u0131lmal\u0131. Ben 60 y\u0131ld\u0131r bu par\u00e7alar\u0131 yap\u0131p, gen\u00e7li\u011fin \u00f6n\u00fcne serdim ki onlara sa\u011flam bir dok\u00fcman b\u0131rakal\u0131m. \u015eimdi onlar bu m\u00fczi\u011fin asl\u0131n\u0131 inkar ederse, ben buna g\u00fccenirim. Yozgat S\u00fcrmelisine sen nas\u0131l yorum katars\u0131n? Bu par\u00e7a i\u00e7in Nida T\u00fcfek\u00e7i 10 sene \u00e7al\u0131\u015fm\u0131\u015f, Haydar’a nas\u0131l yorum katabilirsin? Bu par\u00e7ada ben 3 sene \u00e7al\u0131\u015fm\u0131\u015f\u0131m. Bu eserlere yorum kat\u0131lmas\u0131ndan \u00e7ok rahats\u0131z oluyorum. Biz geleneklerimizi nas\u0131l koruyaca\u011f\u0131z. Gelenekler asl\u0131yla birlikte korunur. Bu insanlar kendileri \u00e7al\u0131\u015f\u0131p bir \u015fey \u00fcretmiyor, haz\u0131r\u0131 da bozuyorlar. Bu insanlar piyasan\u0131n en kariyerli ki\u015fileri. Bunlar\u0131n i\u015fleri g\u00fc\u00e7leri ticaret. Ama\u00e7lar\u0131 ceplerini doldurmak. B\u00f6yle \u015fey olmaz. Ama bu insanlar haz\u0131rc\u0131l\u0131\u011fa al\u0131\u015ft\u0131\u011f\u0131 gibi bir de bizim \u00fcretti\u011fimiz t\u00fcrk\u00fclerin \u00fczerine, sanki \u00e7ok iyi bir \u015fey biliyormu\u015f gibi, yorum kat\u0131yorlar.\u201d (Kaynak: Serkan Ta\u015fk\u0131n, Anadolu Ajans\u0131)<\/p>\n
Ali Ekber \u00c7i\u00e7ek, bir insan-\u0131 k\u00e2mil olarak ya\u015fay\u0131p 26 Nisan 2006 gecesinde, insan s\u0131fat\u0131nda bu d\u00fcnyadan g\u00f6\u00e7t\u00fc gitti. Geride kalan saz\u0131 h\u00e2l\u00e2 \u201cHaydar Haydar\u201d\u0131 s\u00f6yler mi bilemeyiz. Ancak besteleri hari\u00e7, derledi\u011fi 400 kadar halk \u015fark\u0131s\u0131 onun ruhunu \u015fad edece\u011fe benziyor.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ger\u00e7ekleri g\u00f6stermek, ger\u00e7e\u011fe kavu\u015fmak ve ger\u00e7e\u011fi oldu\u011fu gibi insanlara anlatmak i\u00e7in \u00e7al\u0131\u015fm\u0131\u015f bir sanat\u00e7\u0131y\u0131m. Cahilden uzak, k\u00e2mile yak\u0131n oldum, b\u00fcy\u00fcklerime sayg\u0131 ile, k\u00fc\u00e7\u00fcklerime sevgi ile yakla\u015ft\u0131m, konu\u015fulan her kel\u00e2m\u0131 ibadet gibi dinledim, kimseyi acizlik ve…<\/a><\/p>\n","protected":false},"author":2,"featured_media":132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[46,44,45,47],"class_list":["post-123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","tag-alevi","tag-ali-ekber-cicek","tag-halk-muzigi","tag-ozan"],"_links":{"self":[{"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=123"}],"version-history":[{"count":2,"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/123\/revisions"}],"predecessor-version":[{"id":126,"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/123\/revisions\/126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/media\/132"}],"wp:attachment":[{"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nesimiaday.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}